Localized High Pressure - Your Weapons and Plasmids are always treated as if they were in high pressure.High-Pressure Security Crate Access - You can automatically open security crates in high pressure.High-Pressure Plasmid Synergy - When local pressure is high, all your other Plasmids are treated as if they had an extra slot.High Pressure Entropic Dampening - When local pressure is high, your weapons will not degrade.High-Pressure Conservation - When local pressure is high, your Active Plasmids consume less EVE.High-Pressure Armor - When local pressure is high, you take less damage.Drone Synergy (GathererBuff) - Drones who are near to you will take less damage.Drone Attractant (GathererAttractant) - Makes Drones want to follow you.Pressure Manipulation (EnvironmentResetting) - You can use a Pressure Station even if its timer is currently running.Drone Neural Dampening Field (DelayGathererAlarm) - Drones take longer to sound their alarms when near you.Mutant Synergy (AggressorBuff)- Junkers who are near to you will take less damage.Associated Physical Gene Tonics (Ecology Type Plasmids) In addition, the system was used in the Andrew Ryan encounter in Rapture Central Control to orchestrate the theatrical lighting changes since the Unreal engine at the time did not have the tools by default. Notably, the mechanic was reused in the tree-killing scene in Arcadia in conjunction with "a special plant shader that used a masking effect" similar to Julie Langford’s window writing death scene.
This was eventually scrapped because it was difficult to visually convey to the player the changes in air pressure and its effects. For example, flames would shoot farther under low pressure and bullets were more likely to blow things apart under high pressure. It entailed altering the dynamic lighting and fog effects for each change and adjusting enemy AI animations, vocalizations, appearance, speed, and vulnerabilities. In BioShock, a feature originally existed that would change the local air pressure levels from low, normal, and high parameters. Levine later clarified in the 2016 developer's commentary that if it weren't for time and economic restraints, the one ending would have been more vague with a subtle story about "dissolute living" with "a life that is sort of separate from a moral structure" and would focus on "the moral ambiguity of the world". Looking into the future for the franchise, that's something I want to, that by the time you get to the ending of that choice path, you have a sense of your impact on the world through lots of little permutations rather than like a giant ending piece, if you follow my meaning." The multiple endings were added late in development, when the game publisher requested it. Levine remarked, "There are a million different things you can do in every combat you can play it a million different ways. This pitch gives a unique look at the concepts, setting and game mechanics first envisioned for BioShock.īioShock was originally a game with only one, ambiguous ending. Very early in the development of BioShock a "pitch" was created to gain financial support from development of the game. The Original BioShock Pitch Main article: BioShock Original Pitch 6.7 Top Card & Lambert Marketing Company.6.6 Champ Brand & Dupuis Produce Company.2.2.1 Associated Physical Gene Tonics (Ecology Type Plasmids).
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